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・ Symphony No. 73 (Haydn)
・ Symphony No. 74 (Haydn)
・ Symphony No. 75 (Haydn)
・ Symphony No. 76 (Haydn)
・ Symphony No. 77 (Haydn)
・ Symphony No. 78 (Haydn)
・ Symphony No. 79 (Haydn)
・ Symphony No. 8
・ Symphony No. 8 (Arnold)
・ Symphony No. 8 (Beethoven)
・ Symphony No. 8 (Bruckner)
・ Symphony No. 8 (Davies)
・ Symphony No. 8 (Dvořák)
・ Symphony No. 8 (Glass)
・ Symphony No. 8 (Glazunov)
Symphony No. 8 (Haydn)
・ Symphony No. 8 (Henze)
・ Symphony No. 8 (Kabeláč)
・ Symphony No. 8 (Mahler)
・ Symphony No. 8 (Michael Haydn)
・ Symphony No. 8 (Milhaud)
・ Symphony No. 8 (Mozart)
・ Symphony No. 8 (Myaskovsky)
・ Symphony No. 8 (Penderecki)
・ Symphony No. 8 (Piston)
・ Symphony No. 8 (Rautavaara)
・ Symphony No. 8 (Schubert)
・ Symphony No. 8 (Sessions)
・ Symphony No. 8 (Shostakovich)
・ Symphony No. 8 (Sibelius)


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Symphony No. 8 (Haydn) : ウィキペディア英語版
Symphony No. 8 (Haydn)
Joseph Haydn wrote his Symphony No. 8 in G major under the employ of Prince Esterházy in 1761, in the transition between the Baroque and Classical periods. It is the third part of a set of three symphonies – ''Le matin'' (No 6.), ''Le midi'' (No 7) and ''Le soir'' (No. 8).
== Orchestration ==
The orchestration used in Symphony No. 8 is very similar to the concerto grosso style of the Baroque period, where a small group of solo instruments was set against a larger ensemble. In Symphony No. 8, the small group consists of a solo violoncello and two solo violins, solo violone and the large ensemble contains two oboes, one flute, two horns, strings, bassoon and harpsichord. Haydn's use of the bassoon and harpsichord is reminiscent of the basso continuo used extensively throughout the Baroque period; however it is not as constantly driving.

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